{"title":"COFFEE TABLES","description":"","products":[{"product_id":"mario-bellini-pianura-rectangular-coffee-table-for-cassina-1971","title":"Mario Bellini \"Pianura\" Rectangular Coffee Table for Cassina, 1971","description":"\u003cp\u003eMario Bellini \"Pianura\" rectangular coffee table for Cassina, wood, Italy, 1971.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Pianura\" living room set is a great expression of the minimalism and elegance of Mario Bellini’s creations. This coffee table was presented in 1972, just a couple of years after launching the iconic \"Camaleonda\" and the same year of \"Le Mura\". With this particular model, Bellini develops some unconventional features. The name \"Pianura\" in Italian means \"flatland\" and recalls, in fact, the smooth lines of this piece. The coffee table looks warm and comfortable thanks to the combination of the materials and design. The structure is made of Italian walnut, resting on four spherical gum feet.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762654523765,"sku":null,"price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/01_f6961753-0112-4c16-bd94-9b64f901f8a4.jpg?v=1771520545"},{"product_id":"mario-bellini-pianura-square-coffee-table-for-cassina-1971","title":"Mario Bellini \"Pianura\" Square Coffee Table for Cassina, 1971","description":"\u003cp\u003eMario Bellini \"Pianura\" square coffee table for Cassina, wood, Italy, 1971.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Pianura\" living room set is a great expression of the minimalism and elegance of Mario Bellini’s creations. This coffee table was presented in 1972, just a couple of years after launching the iconic \"Camaleonda\" and the same year of \"Le Mura\". With this particular model, Bellini develops some unconventional features. The name \"Pianura\" in Italian means \"flatland\" and recalls, in fact, the smooth lines of this piece. The coffee table looks warm and comfortable thanks to the combination of the materials and design. The structure is made of Italian walnut, resting on four spherical gum feet.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762656850293,"sku":null,"price":2560.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/02_78545310-b8bd-4146-b12c-94fe057dbbc9.jpg?v=1771520583"},{"product_id":"olavi-hanninen-primitive-coffee-table-for-aranjou-1960","title":"Olavi Hanninen Primitive Coffee Table for Aranjou, 1960","description":"\u003cp\u003eOlavi Hanninen primitive coffee table for Aranjou, wood, France, 1960.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis solid wood coffee table, attributed to the French producer Aranjou, showcases a bold, brutalist aesthetic with influences from Pierre Chapo, Olavi Hanninen, and Dittmann \u0026amp; Co. The octagonal plank-style tabletop, crafted from stained elm, emphasizes natural grain variations. Four outward-angled rectangular legs feature subtle mid-height corner flat cuts, adding geometric detail. The structured composition highlights precision joinery, characteristic of mid-century French craftsmanship.\u003cbr\u003eMany brutalist designs favor rigid, industrial materials but this table retains warmth through its hand-worked timber. The raw surface finish enhances the material’s depth, allowing the wood’s natural imperfections to shape the table’s visual weight. French woodworking traditions, seen in Guillerme et Chambron’s sculptural forms and Pierre Chapo’s architectural assembly techniques, inform the balance between mass and negative space.\u003cbr\u003eThis table’s design language recalls tribal furniture traditions, where function and material dictate form without ornamentation. The weight and proportions suggest inspiration from medieval trestle tables, adapted to mid-century proportions. The octagonal plank assembly, rarely seen in European production furniture, reinforces structural force while introducing a layered texture,  uncommon in brutalist designs.\u003cbr\u003eAranjou’s contributions to mid-century French furniture remain largely undocumented, making this piece a rare study in the evolution of regional craftsmanship. Unlike the modular, industrial approach of Scandinavian makers, French artisans preserved a tactile relationship with wood, resulting in a table that is both sculptural and architectural. This table bridges primitive and modernist influences, positioning it as a distinct expression of material-driven design.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762661339509,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-005.jpg?v=1771520719"},{"product_id":"christian-durupt-solid-coffee-table-in-pine-wood-france-1965","title":"Christian Durupt Solid Coffee Table in Pine Wood, France, 1965","description":"\u003cp\u003eChristian Durupt Solid Coffee Table in Pine Wood, France, 1965.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis farmhouse coffee table reflects the simplicity and functionality of Scandinavian design. Crafted from untreated pine wood, it features a raw, natural finish that emphasizes the visible grain and prominent knots running longitudinally along the plank tabletop. The top consists of wide, solid wood boards with a clean, linear alignment, creating a straightforward and robust appearance.\u003cbr\u003eThe design includes aprons along only two sides, providing subtle reinforcement, while a central stretcher beneath the tabletop enhances structural stability. The legs, crafted from rectangular wood planks, are set perpendicular to each other, ensuring a grounded and balanced aesthetic.\u003cbr\u003eIn the manner of Roland Wilhelmsson, this coffee table carries the unique character of time-worn wood. Variations in tone and texture, naturally developed over the years, add to the authenticity and warmth of the piece. It remains free from defects, serving both functional and aesthetic purposes.\u003cbr\u003eThis Scandinavian-style coffee table exemplifies understated craftsmanship, making it a addition to any interior setting while paying homage to traditional woodworking techniques.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762662257013,"sku":null,"price":7600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-079-sq.jpg?v=1771520742"},{"product_id":"eric-jacobson-coffee-table-terrazzo-marble-1990","title":"Eric Jacobson Coffee Table, Terrazzo Marble, 1990","description":"\u003cp\u003eEric Jacobson, coffee table, terrazzo marble, Germany, 1990.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis Eric Jacobson coffee table with its plinth-like simplicity, monumental design, showcases a sophisticated blend of weight and elevation. Slightly raised on rounded legs, the table achieves a refined geometric presence. Its compact, square form features central incised bands, reinforcing its architectural precision. The inside and invisible to the external wooden structure is clad in terrazzo finish slabs, crafted with an agglomeration of red stone and marble fragments in various granulometries. The material is compact, finely polished, and semi-glossy, referred to as \"Ronuv.\" Its surface exhibits natural terracotta tones and subtle marble variations, adding depth and texture to its design. Designed as a cohesive piece, the table aligns seamlessly with the surrounding furniture through its structural harmony. Explicitly recalling the architectural marble pieces of Angelo Mangiarotti for Skipper, its distinctive finish creates a sculptural centerpiece, while the interplay of texture and form underscores its functional sophistication. This style, reflecting a mix of brutalist and cubist era, aligns with a contemporary revival of minimalism and sculptural furniture.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762665533813,"sku":null,"price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/1-square.jpg?v=1771520798"},{"product_id":"paolo-buffa-table-for-galdino-maspero-1952","title":"Paolo Buffa Coffee Table for Galdino Maspero, 1952","description":"\u003cp\u003ePaolo Buffa coffee table for Galdino Maspero, wood, Italy, 1952.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by Paolo Buffa in 1952 for the Milanese craftsman Galdino Maspero, this sculptural table combines neoclassical inspiration with the rigor of Italian modernism. The carved fluted edge—reminiscent of classical architecture—contrasts with the elegant dynamism of the saber-shaped legs, creating a silhouette that is both delicate and powerful.\u003cbr\u003eBuffa’s distinctive approach merges artisanal tradition and innovation, drawing from French decorative arts while embracing modern simplicity. A key figure in mid-century Italian design, Buffa collaborated with master craftsmen to produce refined, architecturally aware furniture that resisted mass production.\u003cbr\u003eThis piece exemplifies Buffa’s unique synthesis of form, proportion, and decorative restraint, aligning him with contemporaries such as Osvaldo Borsani and Gio Ponti, while maintaining an unmistakable personal signature.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762669072757,"sku":null,"price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-146.jpg?v=1771520893"},{"product_id":"pierre-chapo-t06-cross-bar-coffee-table-for-atelier-pierre-chapo-1960","title":"Pierre Chapo \"T06\" Cross-Bar Coffee Table for Atelier Pierre Chapo, 1960","description":"\u003cp\u003ePierre Chapo \"T06\" cross-bar coffee table for Atelier Pierre Chapo, elm, France, 1960.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCrafted in solid elm, the \"T06\" coffee table by Pierre Chapo exemplifies the designer’s devotion to proportion, joinery, and the expressive power of wood.\u003cbr\u003eDesigned in 1960, it reflects Chapo’s architectural sensibility—where structure and beauty coexist through logic and craftsmanship.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe table’s rectangular top rests on a frame joined by a distinctive cross-bar, emphasizing balance and stability. Each corner showcases Chapo’s signature dovetail joints, revealing both the precision of his technique and the integrity of the material.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003ePierre Chapo (1927–1987) remains one of France’s most revered modernist cabinetmakers. His work stands alongside that of Charlotte Perriand and Jean Prouvé—sharing their commitment to honest construction and natural materials, yet distinguished by a warmer, more tactile approach to form.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eA timeless example of French mid-century design, where craftsmanship becomes geometry, and wood becomes architecture.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762674807157,"sku":null,"price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-022_4ac9a740-ed0a-4c78-92a7-b0d5adc9afff.jpg?v=1771521027"},{"product_id":"jules-leleu-round-coffee-table-france-1955","title":"Jules Leleu Round Coffee Table, France, 1955","description":"\u003cp\u003eJules Leleu Round Coffee Table, wood, brass and glass, France, 1955.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned in 1955, this round coffee table distills Jules Leleu’s mature language into a quiet, composed gesture. The circular form is not a stylistic flourish, but a decision rooted in balance—meant to soften space, to invite proximity, to dissolve hierarchy within the room.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eLeleu (1883–1961) approached modernity with restraint. Unlike the radical gestures of his contemporaries, his work evolves through refinement rather than rupture. One senses echoes of late Art Deco discipline, filtered through the sobriety of post-war France, where luxury becomes less declarative and more internalized.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThis table belongs to that moment: poised between tradition and modernism, where craftsmanship remains visible but never ostentatious. It resonates with the understated elegance found in the interiors of Jean-Michel Frank or the measured geometries of Pierre Chareau, yet speaks in a softer voice—one that values proportion over spectacle.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762680869237,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/fv1_0073.jpg?v=1771521140"},{"product_id":"guido-faleschini-coffee-table-for-mariani-italy-1970s","title":"Guido Faleschini Coffee Table for Mariani, Italy, 1970s","description":"\u003cp\u003eGuido Faleschini coffee table and four poufs for Mariani, fabric and glass, Italy, 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA coffee table that doesn’t just sit there—it hosts. Designed in the 1970s for Mariani, this Guido Faleschini piece works like a compact lounge set: a clear rounded glass top hovering over a sculptural center and framed by four poufs that can be pulled out and used as occasional seats. The glass keeps the composition light and precise, almost like a transparent frame, while the base becomes a tactile landscape of upholstered volumes in warm, muted tones. The contrast is the point—soft forms under a clean plane—sharpened by fabric tabs finished with metal rings, details that feel functional, intentional, and quietly confident. The overall mood sits in the same era-defining orbit as Mario Bellini’s modular approach to living and the relaxed sophistication of Afra \u0026amp; Tobia Scarpa, where furniture becomes a social tool as much as a form. Playful without being casual and refined without trying too hard, it’s the kind of design that naturally draws people in and turns the living room into a more social space.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762683162997,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/fv1_0910.jpg?v=1771521174"},{"product_id":"max-ingrand-1774-coffee-table-for-fontana-arte-1958","title":"Max Ingrand \"1774\" Coffee Table for Fontana Arte, 1958","description":"\u003cp\u003eMax Ingrand \"1774\" coffee table for Fontana Arte, glass, brass and iron, Italy, 1958.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMax Ingrand designed this coffee table to study material contrast and optical illusion. The structure stands on four iron legs, each accented with vertical bronze slats, adding texture and depth. A thick glass tabletop integrates a magnifying lens, transforming the surface into a dynamic focal point that plays with perception.\u003cbr\u003eThe table’s design features two distinct glass layers: an ultra-clear Murano glass top and a concave mirrored green glass beneath. This combination creates an optical interplay of light and reflection, elevating the piece beyond conventional furniture. Aged brass profiles add warmth, while the blackened iron frame provides structural integrity.\u003cbr\u003eA master glassmaker and designer, Ingrand refined his expertise under Jacques Charles and Charles Lemaresquier, focusing on decorative arts and architectural glasswork. His career spanned artistic stained glass for religious and public buildings, earning him France’s Legion of Honor. His work blends modernist, mid-century, and Art Deco influences, forming a bridge between eras.\u003cbr\u003eAs FontanaArte’s artistic director (1954–1967), Ingrand revolutionized lighting design. His collaborations with Saint-Gobain, Gio Ponti, and Jean Perzel positioned him among the era’s leading innovators. His aesthetic aligns with André Arbus’s ornamental approach and complements designs by Gino Sarfatti, Jacques Adnet, and Angelo Lelli.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762683588981,"sku":null,"price":32000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-161-sq.jpg?v=1771521209"},{"product_id":"guido-faleschini-coffee-table-for-mariani-black-leather-1970s","title":"Guido Faleschini Coffee Table for Mariani, Black Leather, 1970s","description":"\u003cp\u003eGuido Faleschini coffee table and four poufs for Mariani, black leather and glass, Italy, 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA coffee table that doesn’t just sit there—it hosts. Designed in the 1970s for Mariani, this Guido Faleschini piece works like a compact lounge set: a clear rounded glass top hovering over a sculptural center and framed by four poufs that can be pulled out and used as occasional seats. The glass keeps the composition light and precise, almost like a transparent frame, while the base becomes a tactile landscape of upholstered volumes. The contrast is the point—soft forms under a clean plane—sharpened by leather tabs finished with metal rings, details that feel functional, intentional, and quietly confident. The overall mood sits in the same era-defining orbit as Mario Bellini’s modular approach to living and the relaxed sophistication of Afra \u0026amp; Tobia Scarpa, where furniture becomes a social tool as much as a form. Playful without being casual and refined without trying too hard, it’s the kind of design that naturally draws people in and turns the living room into a more social space.\u003c\/p\u003e","brand":"Modernab","offers":[{"title":"Default Title","offer_id":57159780598133,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/whatsapp-image-2026-03-04-at-14.53.03.jpg?v=1778506738"},{"product_id":"luigi-caccia-dominioni-t7-coffee-table-for-azucena-1955","title":"Luigi Caccia Dominioni \"T7\" Coffee Table for Azucena, 1955","description":"\u003cp\u003eLuigi Caccia Dominioni \"T7\" coffee table for Azucena, metal and wood, Italy, 1955.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLuigi Caccia Dominioni designed the \"T7\" table for Azucena in 1950, exemplifying his mastery of proportion and material. The design achieves a monumental presence through its refined geometry. Cylindrical central support replaces traditional legs, anchoring the piece while allowing the marble tabletop to appear as if it floats. The oval base, accented with a brass-riveted edge, reinforces the table’s sculptural quality. The lacquered wood structure enhances the balance between solidity and lightness. Dominioni often repurposed design elements throughout his work, and T7 reflects the same geometric rigor seen in his lighting. The table's form echoes his lamps turned upside down, an exploration of spatial inversion. This approach ties into his broader architectural philosophy—designing from the inside out, integrating objects with the built environment.\u003cbr\u003eUnlike many mid-century designers who embraced open-ended modernity, Dominioni worked within the constraints of European interiors. Italian architecture, shaped by layers of history, required furniture to bridge the past and present. American designers such as Charles Eames, Florence Knoll, and George Nelson worked with blank slates, designing for unbuilt spaces. Dominioni, in contrast, responded to historical surroundings, embedding modern elements within classical contexts.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eLuigi Caccia Dominioni shaped Milan’s postwar architecture with precision and vision. Born in 1913, he remained active for over a century, leaving an indelible mark on design. He believed architecture should emerge from within, leading him to establish Azucena in 1947. This firm introduced refined, functional furniture that blended with urban environments. His work, alongside Franco Albini, Angelo Mangiaroti, Osvaldo Borsani, and Carlo Mollino, defined Italy’s modernist movement. His buildings integrate seamlessly yet challenge convention. Milan’s streets carry his quiet yet radical presence. Unlike others, he designed spaces that evolve with time, proving that true modernity respects history while pushing its boundaries.\u003c\/p\u003e","brand":"Modernab","offers":[{"title":"Default Title","offer_id":57159781253493,"sku":null,"price":8800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-199-2.jpg?v=1778506816"},{"product_id":"coffee-table-in-the-style-of-gio-ponti-pietro-chiesa-1940s","title":"Coffee Table in the Style of Gio Ponti \u0026 Pietro Chiesa, 1940s","description":"\u003cp\u003eCoffee table in the style of Gio Ponti \u0026amp; Pietro Chiesa. brass, glass and wood, Italy, 1940s\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the style of Gio Ponti and Pietro Chiesa, this coffee table captures the innovative use of glass as a structural material that defined Italian design in the 1940s. The free-form, cloud-shaped top rests on three tapered maple legs, each finished at the base with a turned brass sabot, while brass discs fitted to the top of each leg let the undulating glass edge appear to float above the base. The legs narrow gently from a wider upper section down to the brass foot, giving the piece a light, almost weightless stance typical of the period.\u003c\/p\u003e\n\u003cp\u003eThe design reflects the pairing of architectural rigor and glassmaking artistry associated with the leading figures of Italian design during the interwar years, when glass was pushed beyond a purely decorative role to become a primary compositional element in furniture. It sits within a broader Rationalist interest in combining traditional materials like wood with modern industrial techniques in glass and metalwork — a balance of sculptural object and functional support that continues to define the appeal of interwar Italian design for collectors today.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57382058393973,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/fv1-4472-1400x.jpg?v=1784880148"},{"product_id":"freeform-sculptural-table-in-chromed-metal-1990s","title":"Freeform Sculptural Table in Chromed Metal, 1990s","description":"\u003cp\u003eFreeform sculptural table in chromed metal, France, 1990s\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe silhouette of this coffee table reads as a single cross-section of a tree trunk, its top surface an irregular, cloud-like shape with a gently scalloped perimeter that catches light along every curve. The base is worked in a continuous vertical rippling pattern, alternating deep folds and rounded ridges that recall the texture of bark, all rendered in a high-polish chromed metal that gives the piece a fluid, almost liquid quality despite its solid, monolithic volume. The coffee table has no visible legs or joinery; the entire form reads as one continuous mass, with the mirrored top surface offering a striking contrast to the more sculptural, tactile treatment of the sides.\u003c\/p\u003e\n\u003cp\u003eThe piece belongs to a strand of French design from the closing decades of the twentieth century in which furniture makers turned toward organic and naturalistic forms, treating the coffee table less as an assembly of parts than as a single sculptural object. This lineage runs through the work of designers such as Maria Pergay, whose stainless steel pieces repeatedly translated tree trunks, waves, and shells into polished metal, and sculptor Albert Feraud, who brought a related sensibility to welded steel tables in the same period. The choice of chromed metal, polished to a mirror finish on the horizontal surface and left with a worked, faceted texture on the vertical planes, plays on the tension between industrial material and natural silhouette, a pairing that became a recurring motif in decorative sculptural furniture of the period. Its freeform structure and reflective surface make it as much an object of visual interest as a functional table. This coffee table remains a striking example of sculptural furniture design from 1990s France.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57563251343733,"sku":null,"price":12500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/fv1-6150-1400x.jpg?v=1789046829"}],"url":"https:\/\/modernabgallery.com\/collections\/coffee-tables.oembed","provider":"Modernab ","version":"1.0","type":"link"}