{"title":"ARMCHAIRS","description":"","products":[{"product_id":"borek-sipek-prosim-sedni-armchairs-for-driade-1987","title":"Borek Sipek \"Prosim Sedni\" Armchairs for Driade, 1987, Set of 2","description":"\u003cp\u003eBorek Sipek \"Prosim Sedni\" \/ \"Papillon Chair\" armchairs for Driade, wood, leather and brocade, Italy, 1987, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEmerging from the creative mind of Sipek in 1987, Papillon\/Prosim Sedni for Driade are rare and iconic pieces that invite you to explore the playful dance between tradition and innovation. At first glance, it presents itself as a classic armchair swathed in luxurious black leather. But a closer look reveals its true potential – a mesmerizing transformation into a sinuous armchair.\u003cbr\u003eThe backrest unfolds, not unlike a butterfly emerging from its chrysalis, crafted from an elegant fabric of brocade in an elegant shade of purple. This unexpected metamorphosis transforms the piece into a sinuous chair, offering a wholly new experience.\u003cbr\u003eCherry wood legs, each with the playful quirk of a matchstick, support the armrests. A contrasting symphony of black lacquered tapered legs – two in the back, one at the front – anchors the piece. These black legs hint at a dynamic potential, a design with a peculiar readiness to shift and adapt, adding a layer of intrigue to the overall design.\u003cbr\u003eSipek's artistry extends beyond the form itself. His journey as a designer is one of exploration, weaving between Eastern and Western influences. In 1983, he established his design studio in Amsterdam, a crucible where these diverse influences coalesced. It was during this period that his fruitful collaboration with Driade began, birthing a collection of furniture, objects, and ideas that continue to captivate with their originality.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762652066165,"sku":null,"price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-208_d43645f9-f68d-4f85-9f76-3247d9a6555c.jpg?v=1771520516"},{"product_id":"afra-tobia-scarpa-carlotta-easy-chairs-for-cassina-1967","title":"Afra \u0026 Tobia Scarpa \"Carlotta\" Easy Chairs for Cassina, 1967, Set of 2","description":"\u003cp\u003eAfra \u0026amp; Tobia Scarpa \"Carlotta\" easy chairs for Cassina, Italy, 1967, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThese eccentric, easy chairs designed by Afra and Tobia Scarpa for the 1960s Italian manufacturer Cassina are exemplary pieces of design. Crafted from beech wood, these easy chairs feature an essential execution with visible joints in the legs, which are formed from wooden perfectly entangled, rectangular frames.\u003cbr\u003eThe back and seat have woven elastic cord supports, holding cushions. Given their geometric shape and airy structure, their modernist design makes them versatile pieces that can enhance various settings.\u003cbr\u003eThe Carlotta chairs have been displayed in various design exhibitions, including notable showings at the Museum of Modern Art (MoMA) in New York, such as the \"Recent Acquisitions: Design Collection\" exhibitions in the late 1960s and early 1970s. Their timeless appeal has made them popular in high-profile interiors, and they continue to be admired by design enthusiasts and collectors alike.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The easy chairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762658128245,"sku":null,"price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-096.jpg?v=1771520606"},{"product_id":"ettore-sottsass-westside-armchairs-for-knoll-international-1982","title":"Ettore Sottsass \"Westside\" Armchairs for Knoll International, 1982, Set of 2","description":"\u003cp\u003eEttore Sottsass \"Westside\" armchairs for Knoll International, foam and fabric, Italy, 1982, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Westside\" collection is an iconic project created by Ettore Sottsass in 1982, two years after the founding of Memphis Collective. Inspired by his lifelong love of Viennese Biedermeier chairs, characterized by plush seats with clean lines and minimal adornment, the collection consists of geometric sofas and lounge chairs in color-blocked upholsteries. The sofa and the armchairs are made of polyurethane foam upholstered with colorful pop fabric, with four rectangular metal feet. In spite of his iconoclasm, Sottsass had a deep appreciation of ancient art and architecture - particularly Sumerian, Assyrian, and Chinese - resulting in the decision to shoot the collection against the backdrop of the Great Pyramids of Giza, Egypt. The primary colours and simple form, recalling toy bricks, associate this set with furniture that Ettore Sottsass designed for the firm Memphis in the early 1980s, introducing garish colours and non-traditional shapes which defined 1980s post-modern design.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762658226549,"sku":null,"price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-042-copia.jpg?v=1771520615"},{"product_id":"cini-boeri-gradual-system-armchairs-for-gavina-camel-velvet-1970","title":"Cini Boeri \"Gradual System\" Armchairs for Gavina, Camel Velvet, 1970, Set of 2","description":"\u003cp\u003eCini Boeri \"Gradual System\" armchairs for Gavina, camel velvet, Italy, 1970, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned in 1970 by Cini Boeri for Gavina, this armchair belongs to the iconic \"Gradual System\"—a groundbreaking modular design conceived as a response to the evolving dynamics of domestic life. With its clean geometric volume and soft upholstery, the armchair rests on a sculptural black fiberglass base, which originally integrated storage compartments and mobility features such as casters, allowing for seamless reconfiguration within the living space.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe design embodies Boeri’s vision of adaptability: a seating element that maintains its autonomy while remaining part of a larger architectural system. The interplay between softness and structural clarity, between comfort and control, speaks to the radical spirit of 1970s Italian design.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eUnveiled the same year as Mario Bellini’s \"Camaleonda,\" the \"Gradual System\" reflects a broader cultural shift toward modularity and spatial freedom. Boeri’s work emerged from a rich design dialogue with contemporaries such as Gio Ponti, Ettore Sottsass, Nanda Vigo, and the Castiglioni brothers—figures who helped define the postwar Italian avant-garde.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThis armchair, elegant and forward-looking, stands as a singular expression of that ethos: a piece that doesn’t just furnish space, but redefines how we move through it.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762666680693,"sku":null,"price":16000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-199.webp?v=1771520853"},{"product_id":"percival-lafer-mp-41-armchairs-for-lafer-mp-1972","title":"Percival Lafer \"MP-41\" Armchairs for Lafer MP, 1972, Set of 2","description":"\u003cp\u003ePercival Lafer \"MP-41\" armchairs for Lafer MP, wood and cognac leather, Brazil, 1972, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"MP-41\" armchairs by Percival Lafer embrace fluidity with a structure that appears weightless despite their solid wood frames. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon’s \"Tijuca\" chair, which relies on rope detailing, Lafer’s approach focuses on uninterrupted material surfaces and hidden reinforcements. This design reflects Lafer’s broader philosophy—modern furniture should merge craftsmanship with efficiency. His work redefined Brazilian furniture design, balancing industrial precision with the tactile richness of traditional materials. The MP-41 remains one of his most refined and structurally innovative creations.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eLafer pioneered the production of high-quality furniture by replacing traditional steel springs with polyurethane foam over elastic webbing. This innovation preserved comfort and flexibility. Considered one of the fathers of Brazilian Modern design, along with Sergio Rodrigues, Jorge Zalszupin, Joaquim Tenreiro, and Oscar Niemeyer, he started his career as a car mechanic. His contributions to Brazilian design are significant.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762666844533,"sku":null,"price":14000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-033_39c97d77-737f-40e8-80d2-4f46ccf0d09b.jpg?v=1771520865"},{"product_id":"franco-albini-832-luisa-armchair-for-cassina-italy-1953","title":"Franco Albini 832 \"Luisa\" Armchairs for Poggi, 1953, Set of 4","description":"\u003cp\u003eFranco Albini 832 \"Luisa\" armchairs for Cassina, wood and leather, Italy, 1953, set of four.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally designed in 1939 and refined through multiple iterations, the 832 \"Luisa\" armchair reached its final form in 1953. This emblematic piece of Italian rationalism—named after Albini’s wife—is a masterclass in structural honesty and material reduction.\u2028The chair’s striking geometry balances voids and masses with studied precision: the black lacquered wood frame appears almost like a drawing in space, supporting padded leather cushions that seem to float. Each element is reduced to its essence, with the joints and angles becoming expressive components of the whole.\u2028Awarded the Compasso d’Oro in 1955, the \"Luisa\" exemplifies Albini’s ability to merge artisanal tradition with architectural thought. His work—anchored in discipline and restraint—helped define the vocabulary of Italian modernism alongside figures like Ignazio Gardella and Carlo Scarpa.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762670547317,"sku":null,"price":13400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-032.webp?v=1771520911"},{"product_id":"ico-magistretti-930-carimate-easy-chairs-for-cassina-red-1963","title":"Vico Magistretti 930 \"Carimate\" Easy Chairs for Cassina, Red Lacquered Wood, 1963, Set of 2","description":"\u003cp\u003eVico Magistretti 930 \"Carimate\" lounge chairs for Cassina, red-lacquered wood and straw seat, Italy, 1960, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe 930 \"Carimate\" easy chair was created for the club house of 'Carimate's Golf Club' restaurant in 1963. This model recalls the \"Carimate\" chair, inspired by the tradition of countryside furniture and simple materials such as straw and wood. Magistretti created this series of timeless chairs combining traditional Italian craftsmanship and modernist design.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFurniture, lamps, and other objects designed by Vico Magistretti (1920-2006) may be found worldwide. Magistretti's research has been continuous - into the design, the culture of the project, and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigors of fashion they have passed through during the years. He started designing for Cassina in 1960, and from that date on, his signature will be found on many products.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The easy chairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762671497589,"sku":null,"price":13000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-246.jpg?v=1771520929"},{"product_id":"ico-magistretti-930-carimate-easy-chairs-for-cassina-black-1963","title":"Vico Magistretti 930 \"Carimate\" Easy Chairs for Cassina, Black Lacquered 1963, Set of 2","description":"\u003cp\u003eVico Magistretti 930 \"Carimate\" lounge chairs for Cassina, black-lacquered wood and straw seat, Italy, 1960, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe 930 \"Carimate\" easy chair was created for the club house of 'Carimate's Golf Club' restaurant in 1963. This model recalls the \"Carimate\" chair, inspired by the tradition of countryside furniture and simple materials such as straw and wood. Magistretti created this series of timeless chairs combining traditional Italian craftsmanship and modernist design.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFurniture, lamps, and other objects designed by Vico Magistretti (1920-2006) may be found worldwide. Magistretti's research has been continuous - into the design, the culture of the project, and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigors of fashion they have passed through during the years. He started designing for Cassina in 1960, and from that date on, his signature will be found on many products.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The easy chairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762672513397,"sku":null,"price":13000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/02_e57d7b8c-439c-4257-8280-c33958afe612.jpg?v=1771520952"},{"product_id":"vladimir-kagan-tripod-armchairs-for-weiman-black-leather-1980","title":"Vladimir Kagan Tripod Armchairs for Weiman, Black Leather, 1980, Set of 2","description":"\u003cp\u003eVladimir Kagan tripod armchairs for Weiman, black leather, USA, 1980, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Vladimir Kagan armchair for Weiman embodies an avant-garde approach to mid-century modern design. This armchair showcases Kagan's signature style, where form meets function in a bold, sculptural manner. The design features dramatic arches that extend into the armrests and front legs, creating a fluid, continuous silhouette. The flat three-legged base seamlessly connects to the backrest and armrest, highlighting a sense of spatial continuity.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eCrafted entirely in black leather, the armchair has a minimalist yet impactful aesthetic. The cushioned seat ensures comfort, while the slender backrest and elegantly curved arms add sophistication. Tone-on-tone stitching accentuates the armchair's structural flow, highlighting refined details such as the single armrest that subtly tapers toward the opposite side, resembling a comma in form. This design element enhances the visual rhythm, creating a dialogue between the armchair and its surrounding space.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eBorn in 1927 in Germany, Vladimir Kagan moved to New York in 1938, opening his own shop in 1948 and later partnering with Hugo Dreyfuss in 1950 to launch a dedicated furniture showroom. Many of his armchairs remain rare finds, as their sculptural forms resisted mass production, making them highly coveted by collectors and design enthusiasts alike. Influenced by everything from antiques and nature to the Bauhaus, Kagan’s style masterfully balances comfort, functionality, and artistry. His clientele included names like Walt Disney, Marilyn Monroe, General Electric, and General Motors.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762673299829,"sku":null,"price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/11_b7e0ca5e-b4de-477c-828d-05804fa63a00.jpg?v=1771520969"},{"product_id":"carlo-scarpa-cornaro-armchairs-for-gavina-ivory-linen-1973","title":"Carlo Scarpa \"Cornaro\" Armchairs for Gavina, Ivory Linen, 1973, Set of 2","description":"\u003cp\u003eCarlo Scarpa \"Cornaro\" armchairs for Gavina, ivory linen, Italy, 1973, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Cornaro\" armchair, designed by Carlo Scarpa in 1973 for Gavina, distills the essence of architectural thinking into a singular, sculptural seating element. Rooted in the dialogue between Japanese minimalism and the Ultrarationalist movement, its form is defined by a series of precise cylindrical elements in lacquered wood that compose a linear, rhythmic frame. The result is a composition that is both austere and deeply expressive.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eUpholstered in ivory velvet, the seat and back cushions are enhanced by tailored stitching that introduces subtle visual movement across the surface, activating the geometry with depth and tactility. This stitching is not merely decorative—it reinforces the structure’s spatial logic and reveals Scarpa’s meticulous attention to material articulation.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe name \"Cornaro\" alludes to one of Venice’s most illustrious patrician families, drawing a connection between the refined austerity of the piece and the city’s layered artistic heritage. Like much of Scarpa’s work, the Cornaro armchair functions at the intersection of tradition and experimentation, craftsmanship and abstraction. It is more than a seat—it is a meditation on proportion, volume, and the atmosphere of inhabited space.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eComparable in spirit to the rigor of Kazuhide Takahama or the monumental elegance of Afra \u0026amp; Tobia Scarpa, the Cornaro armchair embodies Scarpa’s unique ability to elevate furniture to architecture in miniature.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762674315637,"sku":null,"price":29600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-022_f61c69a0-a538-44b4-b7a7-720c54f04ee4.webp?v=1771520992"},{"product_id":"percival-lafer-mp-41-armchairs-for-lafer-mp-black-1972","title":"Percival Lafer \"MP-41\" Armchairs for Lafer MP, Black Leather, 1972","description":"\u003cp\u003ePercival Lafer \"MP-41\" armchair for Lafer MP, wood and black leather, Brazil, 1972.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"MP-41\" armchair by Percival Lafer embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushion to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushion to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon’s \"Tijuca\" chair, which relies on rope detailing, Lafer’s approach focuses on uninterrupted material surfaces and hidden reinforcements. This design reflects Lafer’s broader philosophy—modern furniture should merge craftsmanship with efficiency. His work redefined Brazilian furniture design, balancing industrial precision with the tactile richness of traditional materials. The MP-41 remains one of his most refined and structurally innovative creations.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eLafer pioneered the production of high-quality furniture by replacing traditional steel springs with polyurethane foam over elastic webbing. This innovation preserved comfort and flexibility. Considered one of the fathers of Brazilian Modern design, along with Sergio Rodrigues, Jorge Zalszupin, Joaquim Tenreiro, and Oscar Niemeyer, he started his career as a car mechanic. His contributions to Brazilian design are significant.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762675036533,"sku":null,"price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-028.jpg?v=1771521036"},{"product_id":"marco-zanuso-square-armchairs-for-arflex-camel-velvet-1962","title":"Marco Zanuso \"Square\" Armchairs for Arflex, Camel Velvet, 1962, Set of 2","description":"\u003cp\u003eMarco Zanuso \"Square\" armchairs for Arflex, camel velvet, Italy, 1962, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe design of Marco Zanuso's \"Square\" armchairs, produced for Arflex in 1960s, reflects his commitment to modernist design and innovation. The sofa, restored and reupholstered in the natural tones of beige with a dark brown decorative cord on the cushions and armrests, showcases a high, comfortable backrest that evokes the classic club style, combining formal elegance with functional comfort. The legs, crafted from turned dark wood and enameled black metal, create a balanced structure that supports the minimalist form. Zanuso, known for his collaborations with Arflex and experimentation with new materials, approached this project with his signature focus on ergonomics and industrial production techniques. The \"Square\" series highlights his ability to blend sculptural aesthetics with everyday usability, a hallmark of his work from the 1960s. His design philosophy, which aimed to enhance both comfort and durability, is evident in the sofa's clean lines and resilient structure.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762676904309,"sku":null,"price":13600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-024-copia.webp?v=1771521083"},{"product_id":"paolo-buffa-armchair-for-egidio-proserpio-velvet-1956","title":"Paolo Buffa Armchair for Egidio Proserpio, Velvet, 1956","description":"\u003cp\u003ePaolo Buffa armchair for Egidio Proserpio, velvet, Italy, 1956, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned in 1956, this armchair by Paolo Buffa captures Milanese elegance through compact, sculptural forms. It features a generous winged back opening like a fan, gently defined by restrained button tufting and outlined with crisp piping that emphasizes the fluid geometry. Rounded, protective arms and a deep seat create an inviting posture, while the slender, subtly splayed wooden legs lend lightness and visual balance.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003ePaolo Buffa (1903–1970) stands among the most refined voices of Italian design, celebrated for his ability to merge classical proportion with modern clarity. Produced with the Egidio Proserpio workshop, this pair reflects Buffa’s quiet sophistication and masterful craftsmanship, resonating with the cultivated sensibility associated with Gio Ponti, Guglielmo Ulrich, and Osvaldo Borsani.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762680344949,"sku":null,"price":8600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-015_3732f870-913e-4c99-ab02-8f4e9aabe5b2.jpg?v=1771521129"},{"product_id":"nino-zoncada-armchairs-for-isa-bergamo-italy-1952","title":"Nino Zoncada Armchairs for ISA Bergamo, Italy, 1952, Set of 2","description":"\u003cp\u003eNino Zoncada armchair for ISA Bergamo, sage green fabric and brass, Italy, 1952.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned in 1952 for ISA Bergamo, this armchair captures Nino Zoncada at his most effortless—refined, intelligent, and quietly confident.\u003cbr\u003eThe tall, sculpted backrest and softly contoured arms define a silhouette that feels both protective and light: architectural, yet deeply inviting. Nothing is overstated. Every curve serves a purpose, every line holds tension. The brass legs lift the form with a subtle, almost graphic gesture, adding elegance without interrupting the visual flow.\u003cbr\u003eThis armchair belongs to the moment when Zoncada was contributing to the reshaping of Italian domestic space—less formality, more ease; less monument, more atmosphere. It reflects his early 1950s approach to seating, where comfort becomes a matter of proportion and luxury is expressed through restraint rather than display.\u003cbr\u003eTimeless without seeking to be iconic, this armchair embodies Nino Zoncada's design language at its most natural: calm, balanced, and unmistakably modern—still perfectly at home in contemporary interiors more than seventy years later.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762683130229,"sku":null,"price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-005_bf473cfd-f2ba-4478-bf2f-2be565764ac8.jpg?v=1771521174"},{"product_id":"flavio-de-carvalho-fdc-1-armchair-1950","title":"Flavio De Carvalho \"FDC-1\" Armchair, 1950","description":"\u003cp\u003eFlavio De Carvalho 'FDC-1' Armchair, leather and metal, Brazil, 1950.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe FDC-1 reads like a drawing you can sit in: a continuous steel line, bent into an oval halo, then held in place by a few perfectly judged angles. Everything is reduced to structure—four slim legs, a triangulated brace, and that circular back ring that gives the chair its unmistakable silhouette.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eInstead of upholstery in the conventional sense, comfort is engineered through tension. A wide leather sling becomes the seat, while stitched leather straps cross the back like a harness—graphic, functional, and quietly sensual in the way only leather can be.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eDesigned in 1950, the chair sits at a fascinating crossroads—Brazilian modernism with an experimental, almost performative edge. It echoes the directness found in Lina Bo Bardi’s furniture, while the disciplined use of tubular steel nods to the European lineage of Breuer and the utilitarian clarity that would later define much of mid-century metalwork.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eFlavio de Carvalho was a Brazilian architect and artist whose practice moved fluidly between architecture, performance, and design—an outsider-modernist figure drawn to provocation, precision, and the psychology of form. In the FDC-1, that mindset becomes furniture: minimal, intelligent, and slightly radical—still startlingly current today.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762683359605,"sku":null,"price":18600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-194_3ab2f39b-4952-4ef6-9569-64bba08ed871.jpg?v=1771521187"},{"product_id":"paolo-buffa-armchairs-for-egidio-proserpio-velvet-1956","title":"Paolo Buffa Armchairs for Egidio Proserpio, Velvet, 1956, Set of 2","description":"\u003cp\u003ePaolo Buffa armchairs for Egidio Proserpio, velvet, Italy, 1956, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned in 1956, this set of two armchairs by Paolo Buffa captures Milanese elegance through compact, sculptural forms. Each chair features a generous winged back opening like a fan, gently defined by restrained button tufting and outlined with crisp piping that emphasizes the fluid geometry. Rounded, protective arms and deep seats create an inviting posture, while the slender, subtly splayed wooden legs lend lightness and visual balance.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003ePaolo Buffa (1903–1970) stands among the most refined voices of Italian design, celebrated for his ability to merge classical proportion with modern clarity. Produced with the Egidio Proserpio workshop, this pair reflects Buffa’s quiet sophistication and masterful craftsmanship, resonating with the cultivated sensibility associated with Gio Ponti, Guglielmo Ulrich, and Osvaldo Borsani.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":56762683457909,"sku":null,"price":17600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-006_42042304-b1d0-4c77-87a3-44ddb01723f5.jpg?v=1771521198"},{"product_id":"jacques-adnet-club-armchairs-france-1936","title":"Jacques Adnet Club Armchairs, France, 1936, Set of 2","description":"\u003cp\u003eJacques Adnet Club Armchairs, France, 1936, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned in 1936 by Jacques Adnet, this club armchair embodies a refined idea of comfort — one that speaks in quiet tones.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eIts proportions are compact yet generous, with broad, gently rounded armrests that invite the hand to rest naturally. The back inclines with subtle grace, offering support without imposing posture. The silhouette feels composed and reassuring, grounded yet never heavy.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe upholstery softens every edge. Light glides along the piping, tracing the outline with discretion. The surface reveals a dense, tactile quality — warm to the eye, calm to the touch. There is a sense of intimacy in the scale, as if the piece were designed for conversation rather than display.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eIn the mid-1930s, Adnet was redefining French interiors through balance and proportion, favoring enduring elegance over ornament. This model reflects that sensibility: restrained, enveloping, quietly sophisticated.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The club armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab","offers":[{"title":"Default Title","offer_id":57159780696437,"sku":null,"price":18000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-056_087e7ee4-d4e6-4ef4-8b3c-4d73f5c0a637.jpg?v=1778506750"},{"product_id":"mario-bellini-le-bambole-armchairs-for-b-b-italia-green-velvet-1971","title":"Mario Bellini \"Le Bambole\" Armchairs for B\u0026B Italia, Olive Green Velvet, 1971, Set of 2","description":"\u003cp\u003eMario Bellini \"Le Bambole\" armchairs for B\u0026amp;B Italia, olive green velvet, Italy, 1971, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe search for a new shape for upholstered furniture: all parts are shaped like a large soft cushion. If we take apart \"Le Bambole\", we get cushions in part because they are a natural free shape, difficult to describe in a product drawing, but easy to perceive and analyze. Inside them is the skeleton, or the vertical edges or elastic membranes that blend form and fabric to balance action and reaction. \"Le Bambole\", said Bellini, \"are not covered in fabric. Instead, they are built of fabric.\" What makes them unique is the apparent absence of a load-bearing structure, the extreme naturalness of their shape, and the combination of comfort, softness, and elasticity.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab","offers":[{"title":"Default Title","offer_id":57159781745013,"sku":null,"price":16000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/untitled-9.jpg?v=1778506896"},{"product_id":"italian-art-deco-armchair-white-velvet-and-walnut-1930s","title":"Italian Art Deco Armchair, White Velvet and Walnut, 1930s","description":"\u003cp\u003eArt Deco Armchair, Walnut, Italy, 1930s\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAn Art Deco armchair built around an exposed wooden frame, where two broad angled armrests run from the front legs up and back in a single uninterrupted line, framing a fully upholstered seat and back. The structure is the defining gesture: the arms and legs are conceived as one continuous wooden element that carries the upholstery between them, so that the soft body of the chair appears to be held within an open timber armature rather than resting on a hidden frame. The back is tall and gently inclined, the seat deep and low, giving the piece the reclined, comfortable stance that the period associated with domestic lounge seating.\u003cbr\u003eThe frame is in solid walnut with a warm polished finish, the wide flat arms squared in section and softened only at the edges where they meet the back. The contrast between the substantial wooden members and the clean upholstered volumes is characteristic of 1930s Art Deco production, where cabinetmakers explored the expressive potential of simple, geometric forms.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57254353273205,"sku":null,"price":9000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/Sessionestudio-043.jpg?v=1780670250"},{"product_id":"pierluigi-colli-armchairs-with-ottomans-for-colli-italy-1940","title":"Pierluigi Colli Armchairs with Ottomans for Colli, Italy, 1940, Set of 2","description":"\u003cp\u003ePierluigi Colli armchairs with ottomans for Colli, wood and mustard velvet, Italy, 1940, set of 2.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis set pairs two armchairs with two matching ottomans, all built in solid wood with the same angular, architectural vocabulary. The armchairs stand on straight tapered legs that meet the floor in a sculpted V shaped chevron cut into the front face, a detail repeated at all four points of contact with the ground, while their flat horizontal arms extend forward in a single easy line before meeting the front legs. The ottomans echo this language in a lower register, with straight legs joined by a low stretcher on each side and the same chevron carving marking the base, alongside a gently scalloped apron beneath the seat rail. The frames throughout rely on simple exposed joinery rather than applied ornament, and the seats are set into their respective frames in the manner typical of Italian workshop production of the period.\u003cbr\u003eThe set is attributed to Pier Luigi Colli, an architect and designer active in Turin from the 1920s. Colli began his career working with figures including Gio Ponti, Emilio Lancia, and Luigi Vietti before establishing an independent practice in the following decade, and his furniture from this period is known for clean lines and geometric forms realized in solid wood. The carved chevron motif seen across both the armchairs and the ottomans recurs in furniture associated with his Turin production, marking a transition in his output from earlier Art Deco ornament toward the more architectural vocabulary he developed through the 1940s.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57380591927669,"sku":null,"price":13000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-121-1400x.jpg?v=1784818280"},{"product_id":"afra-tobia-scarpa-artona-armchair-for-maxalto-italy-1975-light","title":"Afra \u0026 Tobia Scarpa \"Artona\" Armchair For Maxalto, Italy, 1975","description":"\u003cp\u003eAfra \u0026amp; Tobia Scarpa \"Artona\" armchair for Maxalto, walnut and fabric, 1975\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \"Artona\" armchair, designed by Afra and Tobia Scarpa for Maxalto in 1975, belongs to one of the most considered furniture programs the Scarpa duo produced in Italy during that decade. The series was conceived around the idea of the frame as a visible, active element rather than a hidden support: solid walnut panels are assembled with visible joinery, the arms extending flat and wide beyond the seat to create a profile that reads almost as architecture. The result is a chair that carries real weight in a room without ever imposing itself.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe generous seat and back cushions rest loosely within the walnut structure, held in place by the geometry of the frame itself. The original striped fabric upholstery, light ground with dark light pinstripes running vertically, reinforces the linear character of the woodwork. Produced in Italy during a period when Maxalto was operating as a dedicated vehicle for Scarpa's more craft-oriented work, this example retains the calm material honesty that has kept the \"Artona\" program in continuous critical regard.\u003c\/span\u003e.\u003c\/p\u003e","brand":"Modernab","offers":[{"title":"Default Title","offer_id":57382044139893,"sku":null,"price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-176-1400x.jpg?v=1784879109"},{"product_id":"club-armchairs-in-the-style-of-andre-sornay-france-1940s-set-of-2","title":"Club Armchairs in the Style of André Sornay, France, 1940s, Set of 2","description":"\u003cp\u003eClub armchairs in the style of André Sornay, France, wood and fabric, 1940s, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis pair of club armchairs presents the assertive geometry associated with French Art Deco seating of the 1940s, its angular back and canted arms drawn as a single continuous line that falls into a low, sled-shaped base raised on dark wood sabot feet. The frame is generously padded through the back and arms, giving each chair a compact, architectural silhouette typical of the period, while the wood base, worked with a soft curve along its lower edge, lifts the seat just above the floor and anchors the design visually.\u003c\/p\u003e\n\u003cp\u003eThe angular treatment of the arms and the sculptural handling of the base recall the furniture produced by André Sornay in Lyon during the 1930s and 1940s, a period in which Sornay developed a distinctive vocabulary of geometric seating built on sled and skid bases close to the one seen here. Sornay's workshop favored dense woods and tightly upholstered volumes that emphasized structure over ornament, an approach echoed in the taut construction and the deliberate weight given to the base of these armchairs. The proportions, the profile of the arms, and the construction of the base situate the pair firmly within this current of French design, close to the language Sornay applied across his club chairs and lounge seating of the era.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The club armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57382098174325,"sku":null,"price":16000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-152-1400x.jpg?v=1784882581"},{"product_id":"marco-zanuso-regent-armchairs-for-arflex-sage-green-velvet-1960","title":"Marco Zanuso \"Regent\" Armchairs for Arflex, Sage Green Velvet, 1960, Set of 2","description":"\u003cp\u003eMarco Zanuso \"Regent\" armchairs for Arflex, sage green velvet, Italy, 1960, set of two.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Regent\" armchairs, designed by Marco Zanuso for Arflex in 1960s, capture the essence of mid-century Italian high-end design. These armchairs, upholstered in sage velvet, feature a high, angular backrest and deep, comfortable seat cushions that echo elegance, enhancing the lines of Italian modernism. Also, the winged armrests reinterpret the classic Knole style, lending a distinctive aristocratic flair to the design. Considered one of the fathers of Italian industrial design together with Studio BBPR, Franco Albini, and Gio Ponti, Zanuso's design balances strong geometric forms with a sense of lightness, achieved through the use of elevated, slender legs in dark wood, which taper delicately to rounded feet made of wood, offering both stability and a subtle material contrast. The two chairs belong to the first edition of \"Regent\", visible by the use of circular wooden feet – though the later editions show iron feet. These thoughtful details reflect Zanuso's philosophy of combining function with visual impact, making these armchairs a standout piece in classy interior settings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOur atelier offers custom restoration and special reupholstering on request. Contact us to create the object you desire.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe set can be split. The armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57563094385013,"sku":null,"price":22000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-075-1400x.jpg?v=1789043354"},{"product_id":"jacques-adnet-club-armchairs-musk-green-velvet-1930s","title":"Jacques Adnet Club Armchairs, Musk Green Velvet, 1930s, Set of 2","description":"\u003cp\u003eJacques Adnet Club Armchairs, musk green velvet, France, 1930s, set of two\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by Jacques Adnet, this pair of club armchairs embodies a refined idea of comfort — one that speaks in quiet tones.\u003c\/p\u003e\n\u003cp\u003eTheir proportions are compact yet generous, with broad, gently rounded armrests that invite the hand to rest naturally. The backs incline with subtle grace, offering support without imposing posture. The silhouettes feel composed and reassuring, grounded yet never heavy.\u003c\/p\u003e\n\u003cp\u003eThe upholstery softens every edge. Light glides along the piping, tracing the outline with discretion. The surface reveals a dense, tactile quality — warm to the eye, calm to the touch. There is a sense of intimacy in the scale, as if the pieces were designed for conversation rather than display.\u003c\/p\u003e\n\u003cp\u003eIn the mid-1930s, Adnet was redefining French interiors through balance and proportion, favoring enduring elegance over ornament. This model reflects that sensibility: restrained, enveloping, quietly sophisticated.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003eThe set can be split. The club armchairs can be sold singularly.\u003c\/p\u003e","brand":"Modernab ","offers":[{"title":"Default Title","offer_id":57563277459829,"sku":null,"price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/5688\/7157\/files\/raw-007-1400x.jpg?v=1789047719"}],"url":"https:\/\/modernabgallery.com\/collections\/armchairs.oembed","provider":"Modernab ","version":"1.0","type":"link"}